弗洛·马丁是法国跨国研究学院约翰·布莱克福德院长教授. She holds a Doctorate from Université de la Sorbonne他在国际上发表了关于蓝调的文章和书籍章节， francophone literature and French and francophone cinema. Her recent work focuses 关于后殖民电影，马格里布电影(摩洛哥，阿尔及利亚和突尼斯)和 French and Francophone women’s films. Her publications have appeared in Canada, Egypt, France, Morocco, Cataluña, Tunisia, the UK, and the US. She regularly offers courses cross-listed with the Arabic and Communications programs.
Flo为法国跨国研究设计并教授了多种课程 program at Goucher, including Introduction to French and Francophone Cinema (FR 353), Sub-Saharan Cinema (WL 360), Violence in Francophone African Texts, Writing around Secrets, French and Francophone Women Writers, The Child in Francophone Cinema (Special Topics FR 430 and 451) as well as Maghrebi Cinema (FR 451 cross-listed with COM 307).
摩洛哥跨国电影:政治、美学、实践，爱丁堡. Co-edited with Will Higbee: University of Edinburgh Press, 2024.
Florence Martin, Farida Benlyazid and Moroccan Cinema, Palgrave MacMillan, 2024.
本文分析了摩洛哥导演、制片人和编剧法里达的作品 Benlyazid，他的职业生涯从独立的摩洛哥电影开始 到目前为止，提供了一个独特的视角对一个代表性不足的电影， 摩洛哥电影的性别政治，以及阿拉伯女导演的贡献 以及对穆斯林伦理和美学的性别化理解 film.
Co-authored with Will Higbee & Jamal Bahmad, Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives. Edinburgh: Edinburgh University Press, 2020.
Screens and Veils: Maghrebi Women’s Cinema. Bloomington & Indianapolis: Indiana U. Press, 2011 (271 pp.)
Co-authored with Maryse Fauvel & Stéphanie Martin, A vous de voir! An introduction to French and francophone cinema. Paris: Casteilla, 2010 (160 pp.).
与Favre, Isabelle, De la Guyane, la diaspora africaine共同撰写. Paris: Éditions Karthala, 2002 (201 pp.).
Bessie Smith. Paris: Editions du Limon, 1994: Marseille: Parenthèses, 1996.
法国历史研究:法语世界的电影、电视和历史. Co-edited with Dr. Laura Mason. Studies in French History 46: 02, 2023 (171 pp.).
Transnational Crossings: Terrorism on Maghrebi Screens, a special issue of Studies in French Cinema. Co-edited with Dr. Maria Flood. 19: 03, 2019 (171-278).
Film and History: Excavating the Archive. Co-edited with Laura Mason (SFH special issue, forthcoming in 2023).
French and Francophone Cinema and Contestation, a special issue of Studies in French Cinema. Co-edited with Guy Austin. Vol. 13, No 3: November 2013 (92 pp.).
Les Cinémas du Maghreb. Co-edited with Kamel Benouanès & Patricia Caillé. Paris: Africultures, 2012 (344 pp.).
“记录不得体:2000年代摩洛哥女性的纪录片”，苏珊娜 Crosta, Sada Niang,and Alexie Tcheuyap, eds. Francophone African Women Documentary Filmmakers: Beyond Representation. Bloomington, Indiana U. Press, 2023: 10-33.
《云顶集团》维奥拉·沙菲克， ed. Documentary Filmmaking in the Middle East and North Africa, Cairo and New York: American U. Press, 2021: 329-334.
Co-authored with Patricia Caillé. “Women Directors in the Maghreb,” in James Neil, ed., Cinema -- Made in the Middle East & North Africa, LM Publishers, Volendam, Netherlands, 2018: 37-51.
Co-authored with P. Caillé, “Reel Bad Maghrebi Women”, in Nadia Yaqub, Rula Qawas, Elizabeth Bishop eds, Bad Girls in the Arab World. U. of Texas Press, 2017: 167-184.
《云顶集团》，马乔里·维奇奥编. The Films of Claire Denis: Intimacy on the Border. London: I.B. Tauris, 2014: 125-132.
“Cinema and State in Tunisia,” in Josef Gugler, ed. Film in the Middle East and North Africa: Creative Dissidence. Austin: U. of Texas press, 2011: 271-283.
“The Wiles of Maghrebi Women’s Cinema,” in Flavia Laviosa, ed. Visions of Struggle in Women’s Filmmaking in the Mediterranean. New York: Palgrave MacMillan, 2010: 23-41.
“Arab Women’s Transnational Cinema’s ‘Flips’: The Man Who Sold His Skin (Ben Hania, 2021)”. Transnational Screens. Vol. 14, Issue No 2, 2023 : 117-131.
“跨国家主义的自由主义和自由主义的自由主义”， Expressions Maghrébines : Le Cinéma maghrébin transnational, Vol. 18, No. 1, 2019 : 19-36.,
与威尔·希格比合著，《非洲跨国经销商的冒险: an interview with Izza Génini », Expressions Maghrébines : Le Cinéma maghrébin transnational, Vol. 18, No. 1, 2019: 37-46.
Co-authored with Will Higbee, 《云顶集团》:采访 with Ahmed El Maânouni », Expressions Maghrébines : Le Cinéma maghrébin transnational, Vol. 18, No. 1, 2019: 113-125
“New Maghrebi Diasporic Film with an Amazigh Twist: Benamraoui’s Adios Carmen (2013)”, Mashriq wa Mahjar /中东和北非移民研究杂志. Vol. 6, No 1, 2019: 60-82.
“性别，面具和vsamitacims sur les samhracims”，IEMed，巴塞罗那:AFKAR/IDEAS，
Spring 2018: 71-73.
“cinmacma -monde:脱轨马格里布电影”当代法国文明，卷. 41, No. 3-4, 2016: 461-476.
《云顶集团》，《云顶集团》第1期. 245.1, 142-154. (May 2015)
《云顶集团》，《云顶集团》，6期.1 2014: 124-138.
"当代突尼斯电影中父亲之死" "埃及的男子气概"和 《云顶集团》特刊 of The Cairo Papers, 33.1, 2014: 89-101.
« Écran pour tous? 同性恋三人组电影《云顶集团》，非洲文化 [6]《云顶集团》，巴黎:L'Harmattan, 2014: 108-121.
Honoré, Christophe, réal. Le lycéen. Int. Paul Kircher, Vincent Lacoste, Juliette Binoche. Memento, 2022. French Review 97.3 : 193.
Bouchareb, Rachid, real. Nos frangins. Int. Reda Kateb, Lyna Khoudri, Raphaël Personnaz, Le Pacte, 2022. French Review 97.4 : 187.
Alain Ughetto, réal. Interdit aux chiens et aux Italiens. Vivement lundi !, 70 min., France, Suisse, Italie, 2022. French Review 97.5 (forthcoming)
The impossible return: Return to Bollène by Saïd Hamich, 2018, Filmatique, 2019.
Challat of Tunis: Sexism, Lies and Computer Games in Tunisia, Filmatique, 2018.
2015年:英国AHRC资助的3年国际合作研究员 Moroccan transnational cinema.
2014年:2015年京都电影奖提名者，稻森基金会，日本.
2010年:法语国家大学(AUF)资助，与Dr. Patricia
caill
March 2023: panelist, “Adventures on GIRL ISLAND《云顶集团》，贫困与权力:跨性别经验会议， Johns Hopkins University, Baltimore.
December 2022: 阿拉伯女性的跨国电影“移动”:Kaouther Ben Hania的男人卖了 His Skin (2021)”, MESA, Denver, CO.
April 2021: 主题演讲，“摩洛哥跨国电影的不可思议的冒险，CRALL Conference, University of Cincinnati, Ohio.
March 2021: “摩洛哥电影未删减:圆桌会议”与威廉·希格比，SCMS(缩放).
January 2021: “Moroccan Cinema Uncut” with William Higbee, SOAS (UK) (on zoom).
January 2021: « Lamia Chraibi : parcours d’une productrice marocaine », A l’œuvre au cinéma : des femmes en Afrique et au Moyen Orient, HESCALE, U. Strasbourg. (France)
October 2020: Introduction to the film « Selma Baccar’s Fatma 75 » and Q&A after the film, Liberating History: Arab Feminisms and Mediated Pasts, Northwestern U and Block Museum, Chicago
November 2019: 《云顶集团》(1988)，Abdelmalek大学 Saadi, Tétouan-Martil, Morocco (via skype).
January 2019: “记录不得体:2000年代摩洛哥女性纪录片”，维多利亚大学， Canada.
October 2018: 共同举办了“未删减的摩洛哥电影:第一结论”、“运动中的摩洛哥” global reach of Moroccan cinema”, Edinburgh (UK).
November 2017: 超脱与世界主义:瓦伊迪·穆阿瓦德等人的著作
丹尼斯·维伦纽夫，《云顶集团》，国际
Symposium, Tanger-Tétouan, Morocco.
October 2017: “呼唤与回应:摩洛哥音乐纪录片大师班”，
Africa in Motion International Film Festival, Edinburgh, UK.
March 2017: 《cinsamuma -monde et communaut
September 2016: “脱离法国电网:摩洛哥电影不插电”，世界电影和电视 French conference, U. of Cincinnati, Cincinnati, OH.
May 2016: 《云顶集团》，CIEF，达喀尔，塞内加尔.
April 2016: “Shoe string or no shoe string? The impact of Arab film festivals on Moroccan film production”, SCMS, Atlanta, GA.
September 2015: “cinmacima -monde:马格里布案例研究”，《云顶集团》， Baltimore, MD.
April 2015: « Du nouveau dans le genre: le cinéma tunisien post 2011». New Perspectives in Franco- Maghrebi Cinema Conference, Hopkins U., Baltimore, MD.
February 2015: « Lire et dé-lire à l’aune des études postcoloniales ». 20th and 21st Century French and Francophone Studies, Baton Rouge, LA.
Studies in French Cinema (UK)
Modern Languages Association (US)
Society for Cinema and Media Studies (US)
2020: Documentary on Sandy Stone, dir. Marii Vecchio.
Nov. 2017年:国际电影学院电影节电影竞赛评审团成员 (FIDEC), in Tetouan, Morocco: 第三届国际电影学校节(FIDEC)，德土安.
“Morocco in motion: the global reach of Moroccan cinema，爱丁堡(英国)，2018年10月28日至28日，在非洲运动非洲的边缘 Film festival.
December 5-7, 2016: “摩洛哥电影:本土视角，跨国对话”, Marrakesh, Morocco.
June 2012: SFC conference (with Dr. Guy Austin): “Postcolonial Francophone Cinema and ontestation”, King’s College, London, June 14, 2012.
2010年10月:《云顶集团》 (with Patricia Caillé & Kamel Benouanès), JCC colloquium, Tunis, Tunisia.
2010年4月:《云顶集团》(与Patricia caill
January 2015: interviewed by The Jewish Times, Baltimore: Nous Sommes Charlie.
2015年1月:在马克·斯坦纳(Marc Steiner)关于《云顶集团》(Charlie Hebdo)大屠杀的节目中担任嘉宾.
2014年春季:电视广播的特邀演讲人——杰里·卡尔森的《云顶集团》(CUNY) TV)
2013年10月:马克·施泰纳节目的客座演讲者，关于今天的阿拉伯世界
April 2011: guest speaker on Marc Steiner show on the Arab Spring
2016: Transnational Moroccan Cinema (由英国艺术与人文研究委员会赞助)